Monday, December 17, 2018

The 12 Days Of Making


**sung to the tune of Jingle Bells The Twelve Days of Christmas**

On the First Day of Making, my students made with me
An unfinished blueprint or three

On the Second Day of Making, my students made with me
Two safety gloves
And an unfinished blueprint or three

On the Third Day of Making, my students made with me
Three fresh plans
Two safety gloves
And a more finished blueprint or three

On the Fourth Day of Making, my students made with me
Four falling builds
Three fresh plans
Two safety gloves
And a more finished blueprint or three

On the Fifth Day of Making, my students made with me
Five Well Made Things
Four falling builds
Three fresh plans
Two safety gloves
And a more finished blueprint or three

On the Sixth Day of Making, my students made with me
Six bases laying
Five Well Made Things
Four falling builds
Three fresh plans
Two safety gloves
And a more finished blueprint or three

On the Seventh Day of Making, my students made with me
Seven switches switching
Six bases laying
Five Well Made Things
Four falling builds
Three fresh plans
Two safety gloves
And a more finished blueprint or three

On the Eighth Day of Making, my students made with me
Eight grades a-sloping
Seven switches switching
Six bases laying
Five Well Made Things
Four falling builds
Three fresh plans
Two safety gloves
And a more finished blueprint or three

On the Ninth Day of Making, my students made with me
Nine chances taking
Eight grades a-sloping
Seven switches switching
Six bases laying
Five Well Made Things
Four falling builds
Three fresh plans
Two safety gloves
And a nearly finished blueprint or three

On the Tenth Day of Making, my students made with me
Ten minds a-leaping
Nine chances taking
Eight grades a-sloping
Seven switches switching
Six bases laying
Five Well Made Things
Four falling builds
Three fresh plans
Two safety gloves
And a nearly finished blueprint or three

On the Eleventh Day of Making, my students made with me
Eleven triers trying
Ten minds a-leaping
Nine chances taking
Eight grades a-sloping
Seven switches switching
Six bases laying
Five Well Made Things
Four falling builds
Three fresh plans
Two safety gloves
And a nearly finished blueprint or three

On the Twelfth Day of Making, my students made with me
Twelve dreamers dreaming
Eleven triers trying
Ten minds a-leaping
Nine chances taking
Eight grades a-sloping
Seven switches switching
Six bases laying
Five Well Made Things
Four falling builds
Three fresh plans
Two safety gloves
And a perfect finished blueprint or three

If you like this post and the other posts on this blog you should know I’ve written three books about teaching- He’s the Weird TeacherTHE Teaching Text (You’re Welcome), and the just released A Classroom Of One. I’ve also written one novel- The Unforgiving Road. You should check them out, I’m even better in long form. I’m also on the tweets @TheWeirdTeacher.

Monday, December 10, 2018

Whose Pacing Guide?


I don't want to panic anyone, but I just realized that we're a third of the way through December.

"But Doug," I hear you shout. "It was September just last week! School just started! I haven't even handed out the planners yet!*"

I know, my friends. I do. I am not sure how it happened either. I'm currently developing a theory which involves my classroom being some kind of TARDIS. This would explain the time thing and how they fit so many students in- it must be bigger on the inside. 

No matter how it happened, it did happen. It's already December. Which means it's basically Winter Break. Which means *starts hyperventilating* we're halfway through the school year. Friends, there is no way I'm halfway through teaching my kids everything they need to learn this year. They need to learn so much. Fourth grade is hard. And I just got finished teaching fifth grade, so I know where they need to be at the start of next year and we're not there. I guess we can see it over the hill. If we stand on a ladder. On our tiptoes. 

But it also feels like we've learned so much!

This is one of the most basic challenges at the heart of teaching. You can lead a child to knowledge but you can't make them stand in front of the fire hose and drink as much as they can as fast as they can. Kids learn at their own speed. All thirty-three of them. All moving at their own gait. A non-constant one. The kid who was running yesterday seems to have developed a severe limp. We were on pace for a second there. 

Ah, there's the word-Pace. As in, "The pacing guide says you should be teaching division of decimals right now, why are you still on rounding whole numbers?" I'm not blaming district-issued pacing guides either, because I live in the real world. I understand that districts have to have a standard pace of learning because there's a lot to get through in a year. I don't see some malicious intent in a standard pacing guide. I see bureaucracy and CYA and an honest attempt to help teachers**. I think they help too. Yes, I need to move my kids at their own pace, but I also need to be moving forward. We can't wait for everyone to be 100% with us on everything. There's too many kids for that. The district pacing guide is a nice anchor to reality, reminding me that though I would like to spend two more weeks on this topic, I've got a lot more to do and I need to move on. I see you waving your hand back there claiming that this is the perfect case for digital differentiation and you and I both know that's just a fancy way to say digital worksheets assigned by a computer. You know how Amazon is able to say, "I see you mentioned Frank Zappa on Twitter, would you like to peruse our wide selection of Zappa-related products?" That's the exact algorithm that powers student-paced computer programs. It ain't personalized, it's just a program, and the kids are the product/test subjects.

My personal pacing guide never lines up with the district pacing guide. How that impacts my teaching depends entirely on how much of a stickler my principal is, and how well my kids are learning at a pace I find reasonable. And what I find reasonable, like everything else in teaching, is completely flexible. I will take longer on this lesson than the book suggests because my kids need it, and I will shave a day off this lesson because come on, this is so boring. I love the freedom to do this and recognize this is not everyone's reality. I taught in a scripted "You vill be on zis page on zis number at zis time! Ve haff vays of makink you teach." I wanted to chew holes in desks. If that's you, you have my sympathies and I suggest the older desks, better flavor. This has all gotten gross now. Moving forward.

On top of all this is the honest reflection which tells me I always feel like this in December. I never feel like we're as far along as I want to be. I never feel like we're doing the work we should be doing yet. I never feel like we've done enough writing, enough building, enough creative math work (I actually feel like I'm doing pretty well with this this year), enough difficult reading. I always hit December feeling depressed that I'm not as good a teacher as I think I am and my students aren't learning as much as they should be. But I cling to those hints that I'm wrong. I cling to seeing responses I hadn't seen before, creativity that is new, thinking around corners that hadn't been thought around. Hell, sometimes I just cling to when that one kid got out his journal, sharpened his pencil, and got to work without having to be told a half-dozen times because that is a massive improvement. Teaching is a long game with uncertain successes and we take what we can get because this job is amazing and it's also brutal.

Whose pacing guide matters? In the end it's not the district pacing guide, and it's not my internal pacing guide. It's each student's pacing guide. Part of my job, our job, is to help develop that. This is a conversation I have with my kids all the time. "Are you doing fourth grade work?" But I follow it up with, "Remember, your fourth grade work is not the same as his fourth grade work or her fourth grade work. Are you pushing yourself as hard as you can? Are you growing?" We need to teach that internal conversation. We must teach reflection strategies. I tell a story about when I was a lifeguard and we would do swim workouts. No one cared if I was making the time standards because I was a swimmer. They weren't setting times that were challenging for me. They cared if I was sucking wind at the end of every set no matter how much rest I got because I was swimming to improve myself, not to meet the time. Just like the RappSheet (yes, that was his nickname, yes he earned it, yes he was a great guard and amazing with the Mommy and Me Aquatot classes) on the other end of the pool who missed every single time time standard and so never had the chance to stop swimming the whole workout. He did every lap I did, and worked just as hard. His pacing guide was just as strong as mine. Gazelle or grunt, it doesn't matter as long as you are pushing. 

It's December. We haven't done enough yet. But we've done a lot. And though it doesn't feel like it, there's plenty of time to grow yet to come.


*who has two thumbs and a stack of planners on his back table?

**I've been in districts that were out to get us too, so this is a blanket statement, but one of those blankets with holes in it.

If you like this post and the other posts on this blog you should know I’ve written three books about teaching- He’s the Weird TeacherTHE Teaching Text (You’re Welcome), and the just released A Classroom Of One. I’ve also written one novel- The Unforgiving Road. You should check them out, I’m even better in long form. I’m also on the tweets @TheWeirdTeacher.

Monday, December 3, 2018

A Textbook Case of Media Matters



"I love it when a plan comes together."
- Hannibal Smith

There are few things more fun in teaching than seeing a possibility in something, putting all the pieces in order, and then it all working exactly how it is supposed to. Nothing ever goes off without a hitch, that's the assumption. Mr Murphy of Murphy's Law fame is always there, waiting for an opportunity to upset the apple cart. When he misses you it's a great feeling.

Last week we started a story in our textbook called "Coming Distractions: Questioning Movies". The story is a non-fiction look into the making of movies, from CGI and special effects to the unreality of certain situations, to editing, to sales and messages. It was those last two that interested me the most. Unless you ask my students. They'd tell you it was a toss up between those two and the special effects sections. But, in my defense, if the book brings up the first JURASSIC PARK in its special effects section you're basically honor-bound (for my Canadian and British readers- "honour-bound") to find the T-Rex car attack on YouTube and look at the masterful way it combines practical effects, puppets, models, and CGI *cough andwhythatmakesitbetterthanthemorerecententriesintheseries cough*. Also I got to show them a side-by-side of Andy Serkis doing Gollum live and what it looked like in the final product. Again, the story brought this up as a specific example, so I was just supplementing what the text was giving my kids. Adding context, as it were.

We got to dig deeply into how movies and television shows are sold to you, and the messages that are put into the text and subtext of the media the kids are consuming. This, as far as I'm concerned, should be a lesson we teach constantly from year one of school. We teach them food nutrition, watch what you put into your bodies. Not to judge, but to be education. Same with media. Here are the ways you're being sold things, here are the messages implicit in this, here's how to see them so you can be an informed consumer. I picked on Pepsi quite a bit because it's an easy shorthand to take a sip of my coffee, pretend it's a Pepsi can, and talk the kids through, "What's it mean if you can see the label?" Turn my mug. "Now you can't see the label. Now what's it mean?" And on to "Do you think the character is a cool character? Has he been good looking and smart and funny? And now he's drinking Pepsi? What's the message?" Then following it up with, "Now that good looking, smart, funny character you like is solving his problems by punching that other man in the face. Now what's the message? Is it different than the one Pepsi is sending you?"

The moment we started going through the story I knew I wanted to end the week one way and one way only- With a video chat with a media expert. Lucky for me, I know one. Julie Smith is a college professor and author of Master the Media: How Teaching Media Literacy Can Save Our Plugged-In World. This is an excellent book not only for teachers but anyone who consumes media and wants to be smart about it. Highly recommend. Julie and I are friends through the twitter box and though we've talked a lot we've never actually met. We'd never even video chatted. I shot her a message on Voxer asking if she would be willing to jump onto a Google Hangout with my kids to talk about what she does as a way to give them a real closing to the story/introduction to the wider world of media literacy, and she said yes as soon as she got it. Because Julie is awesome. We picked a time, after doing the complex math that time zones require, I gave her some basic ideas to talk about, and it was set.

That morning I brought her book in to my class, because of course I own a copy of it, to introduce them to who Julie is, read them the back of the book to give them an overview of what she was going to talk about, and then we brainstormed some questions to ask her. This is always a fun little gamble. Tell thirty-three nine- and ten-year olds to make up questions to ask a speaker. You know your kids. You are picturing the kids that will ask the question no one on Earth could answer right now, aren't you? I'm not making fun of that kid, deep, specific curiosity is good. But often speakers agree to Q&A without knowing what they're agreeing to. Which, you know, mean it'll either be very enlightening or very interesting or very entertaining, or all three.

First, Julie talked about media literacy, touching on many of the subjects my students would be interested in and understand, keeping it at a fourth grade level without talking down to them. As a college teacher she was a little nervous about talking to younger kids, but you wouldn't have known that having watched her. She even dropped a funny fake headline on them that she'd mocked up to show them just how easily realistic-looking images can be created and dispensed through the interwebs.




My kids asked excellent, interesting questions. And Julie gave fantastic, thoughtful answers. She talked about the Netflix model vs traditional TV and why there are no commercials and what that means. She talked about the Netflix algorithm, something my kids had never thought about and it completely blew their minds. "What do you mean, Netflix knows everything I'm watching? Holy cow, it does! That's how it tells me what other shows to watch! NETFLIX IS SPYING ON ME USING NETFLIX!" Welcome to privacy concerns in the 21st century, my friend. She hit them with password tips and tricks, like thinking of it as a passphrase or passsentence rather than a word. I might have written this one down too.

And her closing was dead-on perfect exactly what I wanted my kids to hear even though I at no point told her this- Watch who is in the media you consume. Who looks like you? Who sounds like you? Who is missing? Ask questions about what you see. Demand to be represented in the media around you.

After Julie's talk I had my students walk-and-talk to reflect on what they'd heard, because moving is good for thinking, ya know? Then we sat down and everyone wrote down a few ideas on their own of what they learned or thought was interesting. Then they shared in their groups. THEN we got Chromebooks out and hit up a Padlet I created to share our reflections. Which was a great way for everyone to see what everyone else was thinking and got a lot of, "Oh yeah, that too!" moments.

Textbook to Speaker to Reflective Padlet. All great tools in the classroom, all with specific purposes, and useful. There's no reason to throw any out because you'd be throwing out potential ah-ha moments and deeper lessons than any one of those tools alone would allow. There's nothing quite like seeing a path you can take your class on that cuts a straight line though all the learning goals of a specific unit and uses a variety of tools. That kind of creativity makes this job great. And getting it to work just makes me hungrier to do it again and again. Every time (even the plans that don't survive contact with actual students).

If you like this post and the other posts on this blog you should know I’ve written three books about teaching- He’s the Weird TeacherTHE Teaching Text (You’re Welcome), and the just released A Classroom Of One. I’ve also written one novel- The Unforgiving Road. You should check them out, I’m even better in long form. I’m also on the tweets @TheWeirdTeacher.