ZOOTOPIA and MOANA are two of Disney's most recent films, and two of the company's best. Both are funny, feature fully-fleshed out characters, tell engaging stories, and have leads that don't fit into the traditional Disney Princess archetype. But between Judy Hopps and Moana, who's the better character? Let's break it down and find out who the Best Disney Non-Princess* really is.
Getting Their Start
Moana yearns to leave her island even before she realizes that she has to in order to save the world. She's never been beyond the reef, never sailed, and only knew what lay out there through stories told by her grandmother. Encouraged by the ocean itself, Moana toddles to the water every chance she gets. She's motivated by discontent and a rebellious streak at first, and later through a sense of duty.
Judy Hopps wants to be the first prey-species police officer in the biggest city in the world. She has wanted this her whole life, and everything she's ever done has been pointed towards accomplishing this goal. She has only wanted to help people and stand up for the little guy. How often does a person say what they want to be in elementary school and then follow through? She knew herself well from an early age.
Edge- Judy Hopps. Judy knew what she wanted from the beginning and did everything she could to achieve her dream. While Moana eventually came to her mission's true purpose, Judy's motivation was always pure altruism.
Degree of Mission Difficulty
Moana has to sail across an ocean, capture a demigod, defeat two other unexpected monsters along the way, defeat a supernatural being, and save the entire world. She's never sailed before, she has no real way to convince Maui to do anything, and she's a mortal in the realm of gods and monsters.
Judy Hopps wants to be a cop. She gets to go to cop school. She's trained by a polar bear who's a hardcase, but who wants her to do well. She goes into her mission as well prepared as a bunny could be. While her original mission is to hand out parking tickets, she's soon thrust into a web of deceit and corruption that threatens the tenuous fabric of the society in which she lives. She has to save the day in a small time period with no official resources.
Advantage- Moana. Come on. Yeah, the ocean helps her, but she doesn't even know how to make a canoe go when she sets out. Judy gets all the training in the world. Judy has to fight a savage jaguar and an angry sheep. Moana fights a billion coconuts, a giant crab, and a lava monster.
Moana's companion is a demigod who has no interest in helping her. All Maui wants is to get his hook back, be magic, be awesome, be adored. He's more powerful than her, and has all the information she needs to be successful. Without the help of the ocean, he could leave her at any turn and there's nothing she could do about it. His arc isn't complete until he swoops in, Han Solo-like, in the final confrontation, sacrificing his hook, his magic, and maybe himself in the process. He has a song that will be stuck in your head for the next three days. You're welcome.
Judy Hopps' companion is a fox who has no interest in helping her at all. All Nick wants to do is run his hustles, not work to hard, and have a good time. He knows his way around the city better than her, and tries to take advantage of her naivete. Judy out-thinks Nick and hustles him into helping her. His arc lets him find his way to her way of thinking on screen, through her caring and example. He rejects her not to save himself, but because he feels mistreated by her, and rightly. He has to welcome her back and they plan together to solve the final problem. In the end he too becomes a cop.
Advantage- Judy and Nick. Both Nick and Maui are selfish to start, but Nick's evolution is clearer and a clearer result of Judy's influence. Also, once the pen recording isn't held over Nick's head he sticks around. Maui constantly tries to ditch Moana and uses her as bait at one point. Nick has the better arc and is a better companion.
Other Supporting Characters
Moana travels with a chicken too dumb to live, the ocean, and has the most adorable pig you've ever seen.
Judy's world is full of colorful animals. A sloth named Flash, a fat cheetah, a nudist yak, a mole Godfather.
Advantage- Moana. Hehe eats two different rocks, can't eat food given to him, and manages to frustrate the ocean. Hehe is the coolest chicken ever.
MOANA does not have Idris Elba in it.
ZOOTOPIA has Idris Elba in it.
Advantage- ZOOTOPIA and Judy Hopps
MOANA has The Rock in it.
ZOOTOPIA does not have The Rock in it.
Advantage- MOANA and Moana
Moana is forced to do something no one from her island has done in memory. She does it without training, and fighting a demigod the whole way. She fights through storms and learns on the go. She's inspired by her ancestors and Lin-Manuel Miranda. She, in turn, inspires a demigod and her entire village.
Judy Hopps overcomes everyone in her life telling her she can't be a cop, a bunny has never been a cop, she'll be nothing but a carrot farmer. Even when given no resources she finds a way to hustle and think her way around problems.
Advantage- Moana because seriously, she literally doesn't know what she's doing and does it anyway.
Refusal of the Call
Moana at her weakest point, when she finally gives up her quest, is after a crushing defeat and being abandoned by the one other person who can help her. She asks the ocean to choose another, and comes around after being visited by her grandmother's spirit. This moment is touching and beautiful and shows the power of love and family and how it can inspire. She goes on without Maui.
Judy Hopps voluntarily leaves the ZPD when she sees that her good intentions lead to terrible outcomes for the very people she was trying to protect, coupled with being confronted with her own biases. She runs from the world, hiding at home, leaving her task incomplete. A chance encounter with a former bully helps her solve the case, return to Zootopia to find Nick, and save the day.
Advantage- Judy Hopps. There will be flack for this choice, but as touching as Moana's moment is, Judy's comes from within and helps her grow as a person because not only does she have to solve the case but she also has to admit she's wrong to Nick. Judy screws up big time, is forced to confront her ignorance, and move past it. Reflection like that is harder than realizing you've got to face a lava monster.
Moana's funniest line is when she shouts at the ocean, "Fish pee in you! All day!"
Judy's funniest line is when she says, "I mean, I am just a dumb bunny, but we are good at multiplying."
Advantage- Judy Hopps. ZOOTOPIA is a riot. MOANA has its moments, but it's nothing compared to Judy keeping it together in a nudist colony, Chief Bogo dancing in his chair to his Gazelle app, an extended Godfather riff in the middle of a children's movie, or, "Blood blood blood and death."
Moana's theme is How Far I'll Go. It's a mission statement and a beautiful sequence in the film that lays out everything we need to know about the character. And did I mention it's beautifully animated and performed?
Judy's theme is Try Everything. It lays out Judy's character. It plays over a wonderful sequence that introduces us to the variety of the world.
Advantage- Moana. Duh. This one isn't even fair. Try Everything is fine, it's catchy, it's got a good message. But it's up against a breathtaking moment, one of the most gorgeous two and a half minutes ever animated. In fact, here, watch it again.
See? No contest.
Moana is not a Chosen One. The ocean does not choose her because it's her destiny. It chooses her because she saves a turtle over grabbing the shell. She's doing what she's doing because it needs to be done.
Judy Hopps is not a Chosen One. The Great Bunny never comes down to her and anoints the rabbit that changes the world. She's doing what she's doing because it needs to be done.
Advantage- TIE. Chosen One stories are boring and played out. It's not interesting when someone is told they are great. It's interesting when someone chooses to be great. Moana and Judy both choose their paths no matter what obstacles, starting with their parents, are in front of them.
Moana takes the advantage in six of the categories.
Judy Hopps takes the advantage in six of the categories.
MOANA and ZOOTOPIA are two of the most important, empowering movies we've had in a long time. Strong female leads taking the audience through great stories and tackling a wide range of issues that may or may not be under the surface. How can you choose between Moana and Judy Hopps? Let's celebrate the world they are trying to bring about.
*Yes, Moana is technically the daughter of the Chief and therefore could be called a princess, but when Maui calls her one she denies it. Plus, she's still a non-traditional example of a Disney princess.
If you like this post and the other posts on this blog you should know I’ve written two books about teaching- He’s the Weird Teacher and THE Teaching Text (You’re Welcome). I’ve also written one novel- The Unforgiving Road. You should check them out, I’m even better in long form. I’m also on the tweets @TheWeirdTeacher.